Preview night 13 May 6 – 8pm, with a live performance from the artist.
with kind sponsorship from anCnoc Highland Single Malt Whisky.
New works by Bill Thompson exploring cracked aesthetics with broken technology, data bending and transliteration in sound and video.
exhibition runs 14 May – 25 June, 2011
“In much of my work I’m interested in exploring how technology can be used, or even misused in order to discover new aesthetic experiences. In my view, much of technology has become completely over-determined (i.e. what you are able do with it is highly determined by its design, which is often driven not by what is most interesting, but rather by what is best selling). Because of this, the opportunity to be creative in any ‘real’ sense is often closed off – or to put it another way, you can be creative as long as you’re satisfied with choosing from a few predetermined options. But for me, this is a little too much like eating readymade meals. Instead, I’m much more intrigued by the discovery of new experiences, whether they are within art or life, that challenge me, that require me to pay attention, or ask as much from me as I do from the them.
This relates to something that the philosopher Simon O’Sullivan discusses with regard to challenging our ‘subjectivity in place’. For O’Sullivan (following Deleuze), art shouldn’t simply reaffirm our aesthetic sensibilities, our given assumptions about what is ‘good or bad’, but rather should challenge us in ways that draw forth ‘new subjectivities’, new ways of understanding, or organizing our experiences of art, and life in general. In this way, art becomes more than something that is consumed like a ‘happy meal’ but instead, becomes a genuine place of growth, productivity, and creativity. In other words, when we are confronted by a genuinely new experience and attempt to understand it, we grow as a result.
I’m energized by this idea, and in my use of technology, I often look for this ‘in the cracks’ where technology slips up, or by using it in ways that it wasn’t intended; I look to what is inherent to the device itself yet lying outside of its intended design or purpose – sometimes I even hack the electronics within the device in order to allow it to behave in new, exciting ways. While this might seem destructive (and it is in a way, but all genuine creativity is destructive), it is also extremely productive in the sense that new aesthetic territories are released that would otherwise have remained locked away under its consumer/commerce driven design.
The point of all of this, of course, is the re-discovery of experience and the claiming back of a creative relationship with our world. By looking at technology, and the world around us, as a place to be actively explored rather than as a place to simply be taken as given and consumed, our lives (I hope and think) are made richer and much more interesting.”